Vive le Yunnan? Shangri-La Jones and the Lost Vines of France

yunnan_red_wine.JPG
Yunnan Red Wine Company vineyard (J. Boyce)

– By Jim Boyce

Are grape wines from southern China’s Yunnan province – considered by some the location of Shangri-La – made from the survivors of vines devastated in France by phylloxera from the mid-1860s to the mid-1890s?

An intriguing question, not only because of its Indiana Jones-type feel (hence the title) and its historical and East-West angles, but also because Yunnan wines – made from grapes known as French Wild, Crystal and Rose Honey – may be among China’s best bets for getting on the world wine map.

The history of vines in Yunnan seems as disjointed as China’s own over the past century. This is what I have gleaned so far, with major credit going to Ma Huiqin, professor at China Agricultural University and walking wine encyclopedia, and Campbell Thompson, who evidently spends even more time reading about wine than he does drinking it (he notes that the science of studying grapevines is called ampelography).

From The Wine Report 2008 by Tom Stevenson:

“… Table grapes have been growing here (Yunnan) since Christian friars brought vines from France in the mid-1800s for their early missions…”

From a Time magazine article: “China is a newcomer to the wine world, and while much of its produce has yet to make par, there are three wonderfully unusual varietals that show promise – French Wild, Rose Honey and Crystal Dry. Old records show that missionaries originally brought these vines to China’s Yunnan province from France some 200 years ago (an origin confirmed by DNA testing) – and it’s believed that they may be extinct in the home country itself.”

Re Vines, Grapes & Wines: The Wine Drinker’s Guide to Grape Varieties (1986; republished 2002). This book mentions there are about 6,000 identified varieties of vitus vinifera, the species of the vine really suitable for fine wine. Of these, approximately 1,000 are used for winemaking today. Neither Chrystal Dry nor Rose Honey are mentioned. (Thanks to Campbell for this research.)

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From my December interview with Zhang Ning, chief winemaker of Yunnan Red Wine Company, on French Wild grapes.

“The background of this grape is interesting. Our vines come from at least two sources.

“The first source is from Chinese abroad who brought back clones from Southeast Asia, including Indonesia and Vietnam, in the 1950s. The vines were introduced from a Chinese refugee farm (Hua Qiao Nong Chang) which was established in the 1960s in Yunnan. We are not sure where the original vines came from.

“The second is from Ci Zhong Church in the Shangri-La region in Yunnan province. We assume these vines came from missionaries.

“We have heard there are four different clones of French Wild, but we only have two types in the vineyard. Most of the information we have is anecdotal and the full story still needs to be told.

Finally, and more sobering, Ma says, “I think the vines came around 1880 to 1900, but I need to do more checking.” As for the Time article statement about DNA tests, Ma, a molecular biologist, says, “We need more detailed information to support that conclusion.”

According to several sources in Yunnan, dozens of missionary records, written in French, exist in a county library there and may provide clues. I will post more about the “Shangri-La” vines as information becomes available.

Interview: Chantal Chi on wine, wineries and wine books

– By Jim Boyce

Chantal Chi is the newest contributor to The Grape Wall of China. To kick off Chantal’s participation, I interviewed her about how she got involved in wine, her upcoming books, and more.

How did you first get interested in wine?

It was 1998. I was working in France and one day I ate in a Michelin-star restaurant. The sommelier did some “magic” by pairing my wine and food. I asked myself, “How can this liquid – meaning the wine – be so magical?” This fabulous experience brought me into the world of wine.

I only started to write about wine after I spent three years tasting and learning, since I understood at once that wine is something you need to try and to study a lot. It’s not something you can start writing about after drinking a few bottles.

I also took several courses at the Universite du Vin in the south of France, then in Bourgogne and Bordeaux. But I learned much more on the spot, when I visited and talked with people in the wine industry.

What do you see as the biggest consumer trend in China’s wine market and where are things headed?

Right now, there is too much emphasis on drinking wine because it is fashionable. Over the next few years, we will see wine “beginners” become much more knowledgeable. The more wines they try, the more they will upgrade their palates. As this happens, they will become interested in more complex wines and fulfill their dreams of going to wineries.

You’ve interviewed wine personalities worldwide. What is their attitude toward China’s market and Chinese wines?

They are curious about China and its market, although they assume that Chinese wine itself is probably bad. They are both happy at the potential of selling wine to China and worried about how to succeed here.

Based on your travels to wineries, which regions are your favorites?

In terms of landscape, my favorites are Alsace in France, the central Otago region in New Zealand, Cachapoal Valley in Chile, and Tuscany in Italy. In terms of the people, I would say Alsace, Bourgogne, and anywhere in Italy. And when it comes to wine – well, the region does not matter. All that matters is if the wine is good.

When you want to relax in Shanghai and have some wine, where do you go?

I stay home. One reason is that I dislike the smoke in bars and restaurants.

What I drink at home depends on what matches with the food I am eating – this goes back to that first French sommelier in 1998 and my “baptism” in pairing food and wine. I try to select wines that are mature or appropriate, so I often open my fridge and then decide not to drink anything. The wines are simply not suitable or too young.

Patience is worthwhile and a “must” if you want to get the best out of your wine. Many drinkers are in a hurry and they open bottles that are not yet ready.

Tell us about your upcoming books.

The book covers five major wine regions in France and 150 wineries – my partner and I visited all of them. The book is in Chinese, took three years of visits and interviews, and will be published around Chinese New Year. I hope to give basic information to beginners as well as insights to more knowledgeable wine people.

I have two more books in the works. One is about New World wine and will cover the key areas in the United States, Australia, New Zealand, Chile and Argentina. The other will look at three wine regions in Italy and five in Spain, based on my trips there.

There are many people now writing about wine, but not because they’re deeply passionate about it. My goal is  to share my wine experiences and my passion. I want to show people how they can enjoy wine, and that they do not need to be influenced by things such as wine ranking systems.

Grape press: The ‘antisnob’, the ‘budometer’ and food-wine pairing

– By Jim Boyce

Those fascinated, frustrated or befuddled by pairing wine and Chinese food might be interested in The Wine Antisnob by Katy McLaughlin in the Wall Street Journal. The article looks at Tim Hanni – entrepreneur, recovering alcoholic, one of the first two Americans to become a Master of Wine, and someone who once “‘completely looked down on people’ who drank wine he considered inferior”:

He argues that no one has a palate superior to anyone else’s, and that there’s nothing wrong with liking wines many experts consider tacky, like White Zinfandel. He also thinks traditional tasting notes comparing wine to berries or chocolate are useless in helping most consumers find wines they enjoy.

Instead, he has developed new systems that help customers choose wines based on factors like how they take their coffee and cocktails — and how many taste buds they have.

His maverick approach is transforming the way that many Americans drink wine. Mr. Hanni’s most widely used innovation is the “progressive wine list,” a menu format that organizes wine from lightest to heaviest, rather than grouping Loire Bordeaux and Tuscan Brunellos together.

The article includes a link to the Budometer, a questionnaire on preferences for tea, coffee, beer and so on that aims to determine what wines a particular consumer will like. It’s well worth a click.

Whether or not you end up agreeing with Hanni’s perspectives or not, this is a fantastic read that beautifully ties together his love of food and wine, struggle with alcohol abuse, and efforts to further popularize a beverage often tied to snobbery.

Interview: Jeremy Oliver on the China wine scene

– By Jim Boyce

I met writer and educator Jeremy Oliver during a seminar at the Hilton Wine & Food Experience in Beijing in November. I plied him with questions about Chinese wine consumers and wines, and then later emailed him to request an interview on these topics. He agreed, and the results are below.

You’ve been to China several times. What distinguishes consumers here from the other countries you’ve visited?
Chinese consumers are typically – but not entirely – discovering quality wine for the first time. As such, they are not hostage to the prejudices that characterise many consumers in other Asian markets that have been strongly influenced by European wine producers, especially the French. So, in effect, I find the Chinese consumer to be an open-minded one who is happy and willing to try new wines without preconceived ideas or expectations.

This means that wines that might be frowned upon elsewhere for their sugar content or colour – such as Brown Brothers Cienna – are tasted and enjoyed for what they are. That’s a healthy thing and is likely to encourage more people to drink wine. And once they do, their palates can lead them anywhere…

What do Australian producers need to do to get a slice of the China market?
Australians need to do the basics well. They need to create a regular presence in China, to interact with Chinese wine drinkers and to educate them. Education is really the key, and Australians are good at teaching people the basics.

Because Australian wines are varietally labeled, with regional identification as is appropriate, they are likely to be more easily understood than many European wines. Importantly, though, Australians do not need to be complacent. They need to educate their distributors, their outlets and the public. The country that really teaches the Chinese market how best to understand and enjoy wine will end up winning it.

You’ve tried some Grace Vineyard wines. What is your opinion of these and other made-in-China wines?
About two years ago, I tasted some Grace Vineyard red wines. One was of reserve level, and it was very impressive as a convincing right bank Bordeaux-inspired claret. Quite reductive, but opening slowly to reveal deeply a layered presence of fruit and structure, with remarkable balance and potential for longevity. By itself, it changed my view on Chinese wine and its ultimate potential. I sincerely hope that Grace Vineyard is able to maintain such a strong and desperately needed leadership position in Chinese wine.

I have tasted quite a few other Chinese wines, mainly red, that have lacked conviction. Although I would be delighted to be convinced otherwise, it is my view that the Chinese wine industry would benefit greatly by acquiring more a sense of what makes wine precious, other than the presence of particular digits in declared vintage years. Once more Chinese wine consumers and producers begin to get interested in the differences between vintages, regions and vineyard sites – and their own wines are faithfully made to reflect these differences – I think that the wine thing in China could explode, in a very positive way.

It’s perhaps going to have to come from the consumers, but when there is a higher standard of average Chinese wine there will be no local stigma about drinking it. Once that happens, wine will take off in China, and there quite possibly isn’t enough wine in Australia and other countries to meet the potential demand.

That’s what I’ll be working towards!

Get your Gruner Veltliner on

– By Jim Boyce

When it comes to great grape names, Grüner Veltliner ranks up there. It sounds like the name of an ice hockey* player or an airship or a pair of fashion sunglasses. Or a belt of asteroids circling the sun. Frankly, it tastes better than all of these things put together.

Tastings of Grüner Veltliner are as rare as a week of Beijing “blue sky” days, but Cafe Europa in Beijing will have one on January 24, from 7:30 to 8:30 PM. RMB 150 fee gets you a taste of four Austrian wines (two red, two white) and canapes (RSVP: 5869-5663 / josefkiang@yahoo.com).

Here’s what one site has to to say about Grüner Veltliner wines:

Austria’s serious winemakers have discovered that, with lower yields and higher ripeness, Grüner Veltliner can produce stunningly intense and concentrated wines. Even the simple wines, from overcropped vines and underripe fruit, can have very pleasant citrus and grapefruit aromas, with a hint of the variety’s most distinguishing characteristic: the spicy fragrance of freshly ground white pepper.

For more details, see the full article.

By the way, I will soon re-start listing information about upcoming tastings, so keep the info flowing. Details are preferable in text format, so as to reduce the risk of my mistyping information from a pdf.

* I use “ice hockey” not because I hail from a non-hockey playing nation, but due to my sensitivity toward those who live or grew up in lands where “blue line”, “five-minute major” and “holy moly, what a goalie!” were not everyday language.

Tasting time: Shanghai

– By Peter Wright

[Upcoming wine events in Shanghai]

Commanderie de Bordeaux wine tasting and dinner
A lavish dinner and French wine tasting will be held this Sunday 20th January at Kathleen 5‘s (325 Nanjing Xi Lu) from 6 PM by the Shanghai chapter of Commanderie de Bordeaux, a society of keen French wine drinkers. Wines to be served will include three vintages of Chateau Angelus, plus 14 St Emilion wines, including a couple of Pomerols. Cost for non-members is a paltry RMB1300 (members RMB1100). Please RSVP to: CDBSHANGHAI@yahoo.com.cn.

Summergate Los Vascos wine tasting
Summergate will hold a tasting of DBR Lafite Los Vascos Chilean wines on 23rd January at Laris (6F, 3 on the Bund) from 7-9 PM. Cost is RMB180, or RMB160 if pre-booked with Michelle Chung (michelle.chung@summergate.com). Wines to be tasted are a Sauvignon Blanc 2007, Chardonnay 2006, Cabernet Sauvignon 2004, Cabernet Sauvignon Grande Reserve 2004 and Le Dix de Los Vascos 2003.

Ruby Red NZ wine master class
Keeping Shanghai’s wine lovers occupied, Ruby Red earns a spot on your calendar by scheduling a master class on New Zealand’s wines and wine regions on 26th January. The class will be held at Ruby Red’s office (No 41b, underground cellar, Tian Shan No.2 Borough, Zun Yi Rd) starting at 7.30 PM. Of course, there will also be some New Zealand wines for tasting. To reserve your seat, phone 6234 3031 or e-mail: info@rubyred.co.nz

ASC Louis Jadot wine tasting
Some great Burgundy wines will be all the rage on 31st January at Vino Venue (1970 Hongqiao Road) from 7 PM, courtesy of ASC. Wines to be tasted are: Bourgogne Chardonnay 2005, Pouilly-Fuisse 2006, Puligny-Montrachet 2005, Bourgogne Pinot Noir 2005, Beaune 1er Cru Theurons 1999 and Clos Vougeot Grand Cru 2001. Cost is just RMB128 per head. Please RSVP to: susanchen@asc-wines.com. Checking out Vino Venue, a new place that combines wine and art, should also be interesting.

Taste test: Uncorking nine Chinese wines in Beijing

– By Jim Boyce


Tenacious taster Thompson (J. Fallows)

The mention of Chinese wine often brings smirks, mock gagging, or jokes such as “leaded or unleaded?” Given this, I enjoy getting together for a tasting of the local drop with people who express open-mindedness about it. Last Friday was such a time. Our party:

  • Lawrence Osborne, New York-based author of The Accidental Connoisseur
  • James Fallows, Beijing-based writer for The Atlantic Monthly and among the few buying, trying and writing about Chinese wine from a consumer standpoint
  • Campbell Thompson, Beijing-based wine guy, former marketing director of ASC Fine Wines, and current Master of Wine Marketing student
  • Me, consumer

We did our taste test at Dishes of Mao Zedong Hometown restaurant, behind the Hilton. I had hoped to dine at the hotel, but explaining that our patronage would bring revenue and possible coverage did not suffice to get the corkage fee waived for our eight bottles, which I can understand.

So, we headed down the street and, after Thompson explained to restaurant staff our need to open that many bottles, did our tasting in puny glasses amid vapors of meat, garlic and hot peppers. Not ideal tasting conditions, but real-world ones.

The notes are mine and, as often mentioned, I come at this as a consumer. The quotations are not attributed and meant to give some thoughts of others around the table.

Great Wall Cabernet Sauvignon 2003 (the only bottle we bought at the restaurant).

Some fruity though feeble aromas with a hint of cough syrup, and a limp body with a slight berry / cherry flavor; this one came off as fairly close to grape juice.

The table: “Palatable, but not too pleasant”; “The fruits are played out”

Suntime Red NV (RMB 28)

Dull red with a slight orange tinge, with a touch of wood and some (but too weak) black fruit; pretty much no finish (note: I’ve heard good things about Suntime from readers, so I’ll give the higher-priced bottles a try soon.)

The table: “I’m glad it’s not more than 28 kuai.”

Catai Cabernet Sauvignon 2004 (~RMB 45)

A light fruit (black cherry) nose; the body had some dark fruit, jamminess and a hint of spice

The table: “Some varietal definition, but a bit thin”

Grace Cabernet Sauvignon 2005 (RMB 60)

The nose had light and pleasant fruit, with the fruit and tannin working well together, though the color made it seem as though it were an older vintage.

The table: “Tastes like a perfectly American wine”; “It’s a step up from Catai”; “They’re trying to achieve something restrained.”

Chateau Bolongbao Grand Vin 2005 (~RMB 195)

There is a lot of wood (sawdust?) on the nose, a bit much for the dark fruit jamminess below; the same with the body

The table: “The wood is weird and heavy,” “like a carpentry shop”, “like pine resin”; “I like this: interesting wood and fruit flavors to savor”; “you could find people who love this and who hate it”

Taillan Rose 2005 (RMB 60)

Orange-pink, with a mushroom-y nose and some fruit (peach? light red fruit?) beneath; similar fruit in the mouth; if you plan to try this one, it’s best to do so now rather than later

“It’s struggling against adversity – it’s an honorable effort”

Huadong Dry White (Riesling) 2002 (RMB 76)

Very ripe, almost fermented, apples on the nose; slightly sour, with some tropical fruit (pineapple?), but lacking adequate acid and finish

“There’s no acidity to it, no core – you can’t make Riesling like that”; “It’s past its time”; “It doesn’t finish clean”

Grace Chardonnay 2006 (RMB 60)

Some toasty aromas on the nose; the body has oak and green apple, though it tastes slightly unripe

“It’s disjointed,” “the acidity is out of balance”, “it doesn’t have any delicacy”

Sino-French Demonstration Vineyard Chardonnay 2005 (sampled provided during a winery visit)

Light, creamy and with some freshness; subtle light fruit in the body, though not much finish

“It doesn’t have that buttery angle,” “it isn’t overly commercial,” “that’s the only wine so far that I think you could pass off as a foreign wine”

On the whole, the Grace Cabernet Sauvignon, Bolongbao, and Sino-French Chardonnay fared best. In any case, as always, it was good fun to work our way through these wines.


Lined up and ready to go (J. Fallows)

Thanks to a large backpack, I trucked the nine bottles home, where I later met Palette Vino’s Stefan Fleischer, and we went through the wines again, this time sans the odor of garlic and hot peppers. I’ll have his evaluation tomorrow.

Winery visit: Sino-French Demonstration Vineyard

– By Jim Boyce

Regular readers of my newsletter*, this blog or sibling blog beijingboyce.com no doubt have heard of Grace Vineyard. I find Grace generally makes the best Chinese wines and often write about this, even in the face of eye-rolling by friends. Grace wine is popping up in hotels, restaurants and bars and has garnered praise from wine experts.

Logic would seem to dictate that if Grace is making such wine, there is a good chance someone else in China is doing it, too.

I have had drinkable wine from other makers – Dragon Seal, Taillan and Catai, to name three – but these tend to lack Grace’s consistency across a diverse portfolio.

Last Thursday, I went to a winery that might be up to the challenge.

The 20-hectare Sino-French Demonstration Vineyard is a 90-minute drive from downtown Beijing. I visited it with Lawrence Osborne, a New York-based wine writer and author of The Accidental Connoisseur, who has the benefit of an expense account that covers hiring cars for winery visits.

Winemaker Li Demei gave us a quick and chilly tour of the vineyard and then took us inside for a tasting, with local wine writer and consultant Winnie Wang also present. The lineup:

Cabernet Sauvignon 2005, 2006, 2007
Chardonnay 2005, 2006, 2007
Marselan 2005, 2006, 2007
Merlot 2007
Cabernet Franc 2006, 2007
Viognier-Riesling
Petit Manseng

In general, the 2005 wines bested those from 2006, a year marked by heavy rainfall, while the 2007 obviously is still too young, though the Cabernet Franc showed nice plum and jam flavors.

The Viognier-Riesling, split 75 percent and 25 percent between those two respective grapes, was pale yellow in color. Smooth and subtle, it had light pear and floral scents on the nose.

“This is better than the Heartland [Viognier-Pinot Gris] we had last night,” said Osborne.

The late harvest Petit Manseng was among the more intriguing wines I have tasted in China. The nose is mushroom-y, but the body has honey and a bit of savoriness.

I’ll have more on these wines, especially on the Chardonnay and Petit Manseng, which I have since tried with numerous people in Beijing.

* The e-newsletter covers Beijing’s nightlife scene, including wine tastings. To get it, email beijingboyce@yahoo.com with “sign me up” in the subject line.

Ice Bar: This Champagne is definitely chilled

China World Hotel opened Ice Bar a few weeks ago, just outside Aria. As reported earlier, the bar is, not surprisingly, made of ice and is cosponsored by Moet-Hennessy Diageo, so expect Moet Chandon Champagne, Belvedere Vodka and Grand Marnier. The bar itself is modest and fun for a quick drink. And the Champagne is definitely chilled. The only weird thing is the deafening hip hop – something a bit more relaxed would work better. For some reason, ABBA pops into my mind…

Coats are provided for those venturing outside.

(Thanks to Marc at MHD for the photo.)

Replay: 100 wines for 100 kuai

– By Jim Boyce

Palette held an excellent tasting in December of more than 100 of the wines it distributes. The price tag? A mere RMB 100 (USD 13). If you missed the event, don’t fret, as there will be a Beijing repeat on February 2, from 2 to 7 PM, in the Central Park banquet hall (2F, in the building with Alexander City Club). RSVP with Shirley Guo at 6585-3099.

I very much enjoyed trying Palette’s Australian, Spanish and dessert wines. And If you’re a consumer, it’s hard to find better value than this.

See this write-up of the December event